Blackmagic Design Announces DaVinci Resolve 20

Blackmagic Design today announced DaVinci Resolve 20 a major new update which adds over 100 new features and AI tools such as AI IntelliScript, AI Animated Subtitles, AI Multicam SmartSwitch and AI Audio Assistant, as well as keyframe editing, voice over palettes, multi layer compositing tools, new optical flow vector tools and major updates to Magic Mask and depth map. DaVinci Resolve 20 public beta is available for download now from the Blackmagic Design web site.

This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20250404998243/en/

The DaVinci Resolve 20 will be demonstrated on the Blackmagic Design NAB 2025 booth #SL216.

DaVinci Resolve 20 introduces more than 100 new features including powerful AI tools designed to assist customers with all stages of their workflow. Use AI IntelliScript to create timelines based on a text script, AI Animated Subtitles to animate words as they are spoken, and AI Multicam SmartSwitch to assemble a timeline with camera angles based on speaker detection. The cut and edit pages introduce a dedicated keyframe editor and voiceover palettes, and AI Audio Assistant analyzes the timeline audio and intelligently creates a professional audio mix. In Fusion, explore advanced multi layer compositing workflows. The Color Warper now includes Chroma Warp, plus Magic Mask and Depth Map have huge updates.

New features in Blackmagic Cloud include Cloud folders, which lets customers easily share extra clips, images or graphics for a project with other collaborators. All cloud content appears as virtual clips and folders until used in a project, after which it is synced locally. Customers can access large amounts of media while keeping their media pool organized.

Customers can also now review projects in Presentations with clients who don’t have a Blackmagic Cloud account. To activate guest access simply generate a URL link of the Presentation customers want to review and share it with clients. Customers can review clips, make notes on the timeline using markers and even group chat.

Cloud storage has also been updated with an icon view that displays thumbnails of all clips so customers can visually identify them and manage their media. Hovering over thumbnails lets customers scrub through the content for quick media preview. The inspector panel displays camera and clip metadata, as well as production notes.

On the cut, edit and color pages, when a vertical timeline or project is loaded, the page layouts automatically rearrange to optimize working with a vertical viewer. Tools and palettes are moved to ensure that customers have maximum use of the screen without wasted space and without the need to constantly zoom.

The voiceover palette on the cut page records a voice over track during timeline playback. Customers get cue, record, and stop controls, plus quick access to voice isolation and dialogue leveling tools. A dedicated track is added automatically. Customers can load and work with a prompter script and a countdown.

A dedicated keyframe editor in the cut and edit pages allows for finer parameter animation. Use the keyframe curves and parameter modes to edit keyframes and customize animation shape with ease controls. Customers can also use the keyframe tray below the timeline to review and navigate timeline keyframes.

The Text+ tool has been updated to include the layout’s point, text box, circle or path styles giving customers more refined control over the layout of their text graphics. When working with PSD files on a timeline, customers can choose to split the PSD layers in place in order to work with each individual layer.

The MultiText tool creates multiple text layers in one place for greater flexibility. Customers can use the inspector tabs to set individual style parameters within each text layer, including appearance, layout, warping and keyframe animation. The text list lets customers navigate, rearrange, lock, and delete layers.

On the cut page, customers can now drag directly in the viewer to live overwrite a camera angle directly into the timeline. With the sync bin active, or when in multi source mode, customers can drag horizontally to live paint at the playhead, or drag down to turn the angle into a draggable clip.

The cut page now also has a safe trimming mode to prevent crucial edits from being accidentally overwritten. Customers can drag trim points to quickly fill gaps in the timeline. When they reach a cut point, DaVinci Resolve will pause. If they do want to overwrite the edit, just keep dragging to trim the adjacent clip.

A full audio mixer with professional loudness metering has also been added to the cut page. Each channel strip has a left-right pan slider, fader, solo, and mute buttons, plus professional panning, EQ, Dynamics, and FX controls. Now customers can mix and monitor audio while they record, edit and finish their show.

On the edit page, the voiceover tool lets customers record directly into the timeline. There are quick controls to set file name, audio input and destination track. With automatic track selection and customization options like countdown and input monitoring, creating a voice over has never been easier.

On the color page, new chroma warp lets customers intuitively adjust color and saturation with a single motion in the viewer. The stroke control moves colors in one direction, while the point to point mode isolates regions for more precise hue correction. Customers can add pin points to isolate regions customers do not want to affect.

When streaming remotely, customers can choose to display power windows and other overlays on the reference monitor. This is helpful for remote workflows where the grading system is in a separate location from the colorist, or their client, and their local monitor. Customers can also now stream H.265 4:2:2.

Fusion now offers deep image compositing tools, so customers can access the depth data found in deep image EXR files. A range of new nodes allows customers to merge, transform, resize, crop, recolor, and generate holdouts. Render from Fusion’s 3D environment and export deep EXR’s with the Fusion saver node.

Support has also been added for multi-layer images across all nodes. Fusion can read multi-layer EXRs or photoshop files, preview the layers in the viewer, and access and manipulate any layer in any node. Now artists have seamless layer interaction without needing independent renders of a source file.

Vector warp, vector transform, and vector denoise are new optical flow vector tools integrated within Fusion. These tools enable intricate temporal effects by leveraging motion vectors. Utilizing a clip's natural movement for warping and denoising presents a powerful time saving solution for artists.

Fusion’s PanoMap, spherical stabilizer, LatLong patcher, 3D VR camera and the 3D viewers have been updated to support 180-degree angle of view to allow production of immersive content. Customers can also render 3D scenes to VR180 using a spherical camera and Renderer3D for a simplified production process.

The enhanced Dome light is a 3D tool that simulates natural ambient lighting in a 3D scene. It allows the integration of 360 HDRI images for accurate reflections and global illumination. Now customers can create more realistic environments, ensuring their 3D models respond convincingly to light conditions.

Customers can now preview color page clip grades directly in the Fusion page viewer through the MediaOut node. This will give customers a better representation of their final composition and save customers time by not requiring customers to leave the Fusion page every time customers need to review the final look of a clip.

Clip EQ now features 6 bands on the cut, edit and Fairlight pages. This allows for more tonal control at the clip level, and matches the track EQ in the mixer. So now customers can easily copy and paste settings between the clip, track and EQ plug-in for more consistent, flexible and precise control.

Fairlight has two new clip processing options that lets customers adjust a target clip’s audio to match a reference clip’s level or tonal spectrum. EQ match is dynamic and is automatically automated across their clip to maintain a tonal match. Level Matcher lets customers seamlessly intercut clip sections without manual changes.

If customers have a favorite group of plugins that they need to apply together, customers can now build a Chain FX to include them, each with customized settings and saved as presets. Customers can have up to six effects within a chain and also combine Chain FX plugins for longer chains in the channel effects slots.

Fairlight now features per-channel automation mode selection allowing for more flexibility and creative control when mixing their projects. In a single pass customers can now dynamically adjust multiple individual tracks and have some channel automation settings in Snap, some in Latch, and others in Trim.

The AI Set Extender creates a scene extension to fill an entire frame based on a simple text prompt. Highlight the area customers want to extend, and missing regions caused by limited clip angles, blanking and cropping will be auto generated. Customers can even create new backgrounds behind foreground objects.

DaVinci Resolve Studio 20 also introduces powerful new features for Apple Immersive Video on Apple Vision Pro. Filmmakers can effortlessly edit, color grade, mix Spatial Audio, and deliver Apple Immersive Video captured using the new Blackmagic URSA Cine Immersive camera, which is starting to roll out to an initial set of customers. Customers can pre-order URSA Cine Immersive here.

New tools and parameters are being added in DaVinci Resolve to support Apple Immersive workflows, including support for spatial audio. This means customers will be able to import clips shot on Blackmagic URSA Cine Immersive camera to edit, grade, mix and professionally deliver media for Apple Vision Pro.

Customers can use AI IntelliScript to automatically generate timelines based on the original project script. AI IntelliScript will match the transcribed audio in media clips to the script and construct a timeline of the best selected takes, with any alternative takes placed on additional tracks for editor review.

AI Dialogue Matcher is a powerful tool that automatically matches the tone, level, and room environment of dialogue. Customers can match audio from two totally different clips for audio consistency. Match dialogue recorded in different environments, on different devices, or on shoots spanning several days.

Automatically adjust a music track’s length to fit a video using AI Music Extender. The audio clip is analyzed and a music edit is extended or shortened to match. Customers get four versions to chose from, visual edit indicators, and the ability to decompose sections. It’s a fast, flexible way to tailor music to visuals.

Keep a viewer’s attention in videos with subtitles that are animated as words are spoken using AI Animated Subtitles. Use the transcription tool to generate a subtitle track on their timeline and then drag the animated Fusion title templates onto the track header to change the appearance and animation style of the text.

In the edit page, AI Multicam SmartSwitch automatically switches multi-cam angles based on the active speaker in a scene. After creating a multi-cam clip, click SmartSwitch in the multi-cam viewer. SmartSwitch analyzes and automatically selects clip angles based on audio, and lip movement in the video.

The revolutionary AI Voice Convert tool applies a pre-generated voice model to an existing voice recording, retaining its inflections, pitch variation, and emotion. Improve their own voice if recorded in a noisy environment, or create perfect ADR using the original actor’s own voice.

DaVinci Resolve’s SuperScale now features 3x and 4x enhanced upscaling, ensuring the highest visual quality of all media in a project, regardless of source resolution. Perfect for working with archival material or stock footage that needs to be matched to the deliverable resolution.

AI Magic Mask has been updated for even more accurate tracking within a single mode. Use points to select people, objects and regions, and paint tools to refine the selection faster than ever. Magic Mask intuitively tracks the motion of a selected area, even around obstructions and in low quality clips.

The AI Depth Map effect has been updated for faster scene analysis and more practical mattes. Quickly isolate foreground characters to make them pop against their environment or apply lens blur to the background of a shot. Customers can refine the resulting matte and isolate specific depths for grading.

AI IntelliCut provides powerful clip-based audio processing, automating time consuming tasks in seconds. Remove silence removes low level or silent areas for a cleaner audio track. Customers can split dialogue into a separate track per speaker for individual mixing and create an ADR list to replace dialogue.

When a timeline has audio elements that are not mixed or balanced, AI Audio Assistant can automatically create a professional audio mix. Audio Assistant organizes tracks, evens out dialogue levels, adjusts sound effects and music to the dialogue track, and automatically creates a mastered final mix.

When editing to the beat, customers can use the AI Detect Music Beats function to analyze audio clips containing beat-driven music and automatically place markers to indicate beats. Customers can use these as visual indicators for cut points, or drag to snap clips to the beat’s markers at the nearest frame.

“This is a massive update this year, with AI tools and new features hat help to speed up every stage of our customer’s workflow” said Grant Petty, Blackmagic Design CEO. “By automating tasks that take a long time manually or are tedious, with features such as keyframe editing, voice over palettes, live overwrite and multi-layer compositing tools, our customers are free to spend more time than ever being creative. The new processing code we’ve been rewriting over the last few years is an amazing base to be able to build these new features on. It’s exciting to see how we can provide tools with DaVinci Resolve to help our customers spend more time exploring their creativity”

DaVinci Resolve 20 Features

• Import Blackmagic Cloud Shared folders to media pool.
• New optimized UI layouts option for vertical videos on cut, edit and color pages.
• Voiceover palette with cue, voice tools and teleprompter.
• Improved keyframing with dedicated curve view and timeline drawer.
• Text+ paragraph, line wrapping and bounding tools.
• MultiText tool with layers and easy transform, clip and wrap controls.
• Live overwrite now supports edit keys and search dial.
• Mouse drag to live overwrite multi source and sync bin.
• Trim with safe edit avoids overwriting adjacent clips.
• Full featured audio mixer added to cut page.
• Voiceover tool with record and monitor options in edit page.
• Chroma Color Warper grading.
• Display viewer overlays for remote monitoring.
• Stream and monitor H.265 4:2:2 on supported hardware.
• Deep image compositing toolset.
• Multi layer pipelining for OpenEXR, PSD and stereoscopic 3D.
• Vector warping toolset for image patching and cleanup.
• Fusion support for 180 VR.
• 3D Scene Dome Light.
• View color page grade in media out node on Fusion page.
• Clip EQ now features 6 bands.
• EQ and Level Matcher processes match tone and clip levels.
• EQ and Gain now also available as Fairlight FX plugins.
• Fairlight Chain FX to create and restore frequently chained plugins.
• Resolve FX AI Set Extender.
• AI IntelliScript creates timelines with a user provided script.
• AI Dialogue Matcher matches clip tone, level and reverberance.
• AI Music Editor automatically edits music to desired length.
• AI animated subtitles highlights or animates spoken words.
• AI Multicam SmartSwitch for automatic angle switching.
• AI Voice Convert with built-in and user trainable models.
• AI SuperScale now includes 3x and 4x enhanced upscaling.
• AI Magic Mask v2 with paint brush.
• AI Resolve FX Depth Map v2.
• AI IntelliCut to remove silences.
• AI IntelliCut to checkerboard dialogue by speaker.
• AI IntelliCut to generate ADR Cues using transcription speaker info.
• AI Audio Assistant automatically creates a finished mix.
• AI Detect Music Beats displays and allows beat snapping.

Availability and Price

DaVinci Resolve 20 public beta is available now for download from the Blackmagic Design web site.

Press Photography

Product photos of DaVinci Resolve 20, as well as all other Blackmagic Design products, are available at www.blackmagicdesign.com/media/images.

About Blackmagic Design

Blackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. For more information, please go to www.blackmagicdesign.com.

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